Sounds and Music for Plants

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from http://users.belgacom.net/gc681999/Onderwerpen/Info/Ecosonic.htm

The effects of sound on living organisms. Applications in agriculture.

By: Yannick Van Doorne, ecosonic

Ingekorte nederlandse vertaling
Abstract

This presentation deals with the role played by sounds and music in living organisms and more precisely in agriculture. We begin with a brief explanation of physical aspects of sounds. After that we discuss more deeply the nature of music as a tool to access greater knowledge. This lecture presents knowledge to open a new consciousness of the interrelationships between subjects and objects and resonant mechanisms in everything. The role of music as form of communication between people but also with other living organisms, specifically with plants, will be approached. Ancestral traditions and their knowledge frequently mention the role of sounds for the health of men, plants and animals.

After this introduction, a brief overview will be given of some discoveries and theories that explain the influence of music on plants. Some of them involve possible activation of certain genes, cavitation processes, and influence on the permeability of membranes with some sound frequencies or sequences.

There are also resonant mechanisms that can be very interesting for applications in agriculture and human health care.

Special attention will be given to a deeper explanation of the discoveries and implications of scale resonance and scale waves. The theory of scale resonance is a recent discovery by the independent researcher Joel Sternheimer, a former student of the famous physicist Louis De Broglie. Sternheimer extended De Broglie's theories and after long research in quantum physics and interest in music he discovered what is often called "the music of elementary particles ". This is a theory that means a great breakthrough in the understanding of physics, molecular biology, as well as the whole science.

A few experiments in agriculture will be presented that explain with great significance the good sense of the discovery. Treating plant organisms with specific sound sequences permits the verification of the theory by stimulating or inhibiting certain specific protein syntheses by scale resonance. This application verifies the specificity of the predicted action of a protein by research on specific protein sound sequences. Following this discovery a technique is already patented internationally as "Method for epigenetic regulation of protein biosynthesis by scale resonance". Applications in agriculture have shown it's great accuracy.

With a few examples I will demonstrate the great importance of this discovery for science and also for explanations of some important problems in today's world. This approach would give us new knowledge that could maybe enhance our creativity to flourish. A new tool for a whole new way to perceive the world we live in.

YANNICK VAN DOORNE is the author of the first thesis on Genodics, following the discoveries of Joël Sternheimer, entitled "the influence of variable sound frequencies on the development and growth of plants". It was presented with success in June 2000 at the Technical University of Gent, Belgium. Since then he is engineer in agriculture and biotechnology and independent consultant under the business name ECOSONIC. He works on development projects of applications following his research in agriculture and food-industry.
Présentation research and applications : Influence of sounds and music on plants

Sounds can manifest themselves in many forms and shapes. So even the possibilities how certain sounds influence the growth and the development of plant have many forms and shapes. In 2000 I graduated with a thesis called : "The influence of variable sound frequencies on the growth and development of plants". To graduate as engineer choosing such a subject was not so simple because of the originality and the unconventionality of the subject. At the beginning the some professors were even very opponent to the subject and one called it ridiculous to authorise such a research in a school that respects himself. The same professor that told this say at the final presentation of the thesis that he stayed with his viewpoint that such a subject was better in a frame of a doctorate-thesis than for a end year thesis. It is strange how the same professor changed his point of view during the research.

Certain sounds and even some kinds of music can influence plant growth in different ways. A lot of ancestral stories testify the role of music on plants and even much recent research.

One way is that certain sound frequencies could possibly activate certain genes in cells and so influence the growth and expression of the cells.

A second way is that sound frequencies resonate with objects. With every object a resonant sound frequency can be found and calculate so that when playing that sound the object would resonate. Resonant mechanisms can have profound impacts like glasses that break, even on plants we can found resonant mechanisms.

So the stomata can vibrate and stimulate there opening and the air exchange, stimulate the exchange of carbon dioxide and oxygen with there environment. It is even through resonance with the stomata cavities that foliar nutrient and water uptake can be enhanced very effectively. This technique is famous as the Sonic Bloom applications of Dan Carlson. It helps plants growing in a very effective and musical way. The sound frequencies of nature sounds like songbirds in every day ion the early morning in springtime is probably significant for stimulating plants growth and seed germination. Scientific research of for example Weinberger et al. (1972) suggests and prove that in many ways.

Resonant mechanisms appears also with cell organelles. The resonance of cell organelles can influence their functions and the immediate neighbourhood. It is observed that around resonating objects the fluid moves more rapidly and is more intensely stirred. Some specific sound frequencies and oscillating sound frequencies enhance the cytoplasm movements within the cells. Those different scientific observations proves us the impacts that sounds can have on living organisms.

A third way sounds acts is with the cavitation phenomenon. Cavitation is a phenomenon caused by sounds in a liquid. Certain sound frequencies can causes the creation of microbubles that resonate with the sound. Those bubbles show very rapid resonance and they can also collapse causing important pressures that can causes damage to their neighbourhood like the cellwall or the cell contents. The oscillation of the micro-bubbles can causes microcurrents that could help the stirring or the translocation of cell cytoplasm, molecules and proteins.

A fourth way sounds interacts is the property of sound itself that exists as a wave propagating pressure variations. Those pressure variations can stimulate effects like movements of molecules like diffusion processes or stirring of liquids or air.

Another possibility how sounds interacts is by the phenomenon that is called "scale resonance". The explanation of the process of scale resonance is discovered by the independent quantum physicist Joel Sternheimer. Issue from research in quantum physics comparing with vibration patterns of music he observed that the elementary particles behave in many ways in certain patterns respecting patterns of harmony and vibratory organisation that we could find back in music. This made him developing a method to influence the protein biosynthesis by scale resonance using some specific decoded sound sequences stimulating or inhibiting the specific protein corresponding with. To explain how it is possible I would recall how it is commonly know how proteins are synthesised.

Proteins are composed of amino-acids. Those amino-acids we obtain through the decomposition of our food, the plants build their amino-acids themselves with the absorption of plant nutrients and the help of the energy of light during photosynthesis. The genetic program in each cell which is contained in the DNA is used to build the specific proteins necesarry with the amino-acids. From the DNA a messenger RNA, mRNA, is build as a copy containing the information to build a protein. The mRNA moves to a ribosome in the cell where the protein would be build with the information containing in the mRNA. A ribosome is a very stable place, a kind of bench on which protein biosynthesis would be performed. On the other hand in the cell there are many transfer RNA, tRNA that carry amino-acids and bring them to the ribosome. The mRNA moves over the ribosome and inform each time which amino-acid have to bound to each other for obtaining a chain of amino-acids that become then a protein. So the tRNA brings one after the other the specific amino-acid to the ribosome like informed by the mRNA. A second tRNa brings an amino-acid to the ribosome that is linked to the first, and a third amino-acid would be linked to the second and so on forming an amino-acid chain.

What is particularly interesting is what happens when at the moment when the amino-acid brought by its tRNA is being hooked onto the ribosome. Something happens that Joel Sternheimer discovered, namely that the amino-acid at that moment emits a signal. This signal is a wave of quantum nature which is precisely called a scaling wave. This means that it connects different scales together and more particularly the scale of each amino-acid to the scale of the processing protein.

This signal has a certain frequency and a certain wavelength.

It's wavelength is given by a very classical formula known as the Louis de Broglie equation, ( ( h((m(). The equation of motion of this wave is a scale wave equation which includes a scale parameter, because the wave also propagates in scale and therefore connects different scales together. The general solution of this wave is a sum of waves analogous to light waves, but with speeds that are different. There is a fastest one and another one twice as slow, and still another one three times as slow, and so on. Schematically we can observe in protein synthesis the processing protein chain on one side and the amino-acids on the other side. At a given moment a wave is emitted from an amino-acid, then a slower one will arrive after a time twice as long, and a third one will arrive after a time three times as long, and so on. One will get periodic superpositions of the vibrations of the amino-acids.

If we look at the frequencies associated to each amino-acid and transpose them 76 octaves then we obtain audible frequencies. Those frequencies are musical, to each amino-acid corresponds a musical note. If we look at the succession of frequencies and musical notes corresponding to the succession of amino-acids in a protein and we enters it in a synthesiser then we obtain a melodie. Such a melodie is susceptible to stimulate the corresponding protein biosynthesis. Melodies in phase opposition will inhibit the protein biosynthesis. Proteins who share similar melodies will find themselves homologous, they will stimulate each other. It is also possible that proteins share melodies in phase and phase opposition so they tend to stimulate or inhibit each other. It is important to pay attention to those vibratory interactions between the synthesis of different proteins.

For example with these technique it is sometimes possible to predict the function of proteins comparing there vibratory sequence to each other. It would also be possible to predict some possible side-effects of medication or certain vibratory sequences more quickly. These techniques could permit a significant breakthrough in molecular biology and give new ways for studying and understanding the properties and the functions of the proteins.

The protein melodies or proteodies we can hear acoustically are transpositions 76 octaves down of the quantum melodies of proteins. When organisms, whatever plants or animals, listen to the melody of a protein transposed, a resonance phenomenon occurs, which is scale resonance and will stimulate or inhibit, in case of phase opposition, the corresponding protein synthesis.

By way of illustration of the scale resonance phenomenon I set up two experiences on tomato plants in the glasshouses of the University of Gent during the period of end January till end March.

One experience consists of subjecting two groups of 20 tomato plants in tropical glasshouses to drought conditions during two months and follow there growth responses. One group of them was treated daily with sound sequences or more precisely proteodies of the following proteins decreasing order ; extensins, dehydrine, cytochrome, thaumatine. The objectif was to observe the phenotepic responses of the epigenetic regulation, in this case stimulation, of the proteins. Extensins are very important in the elongation processes of plant cells, more extensins result in bigger cells causing bigger plants in the same development stage. Dehydrine is important as a major drought tolerance proteine. Plants produce dehydrine to protect them behind drought conditions and economise water resource. Plants with increase dehydrine synthesis are more tolerant behind dry conditions. The treatment of the tomato plants was only a few minutes a day. The results were that the treated plants grow as good as the others with the half of water needed, also they were a lot more dry tolerant. With the same water quantities given to the two plots, the plants treated grow a lot quicker and show a significant increase in length but with the same number of leaves that meant that they were in the same development stage. The importance of this application seems evident as a cheap technique to increase the drought resistance of the crops growing in arid conditions for example in Africa.

Another experiment was set up at the same time in a no-heated glasshouse. There were set up to groups of tomato plants, one of thirty and the other of eighteen plants. Before the group of thirty a sound speaker was placed as to treat the tomato plants to the specific sound sequencies. In that experiment the treated group was the one with the sound speaker just before them and the control group the one at the other side of the glasshouse and that was by this way also submitted to the sounds but because of there position with an very decreased intensity. The sounds sequences were the same as in the precedent experience with a major part composed of proteodies of extensines. The results were that the treated plants grew much faster then the control. The treated plants measured 30 cm more then the untreated after only two months. It was a very significant difference of more then 20%. The number of internods and flowers was the same in the two groups and that mean there were in the same development stage. So the length of the plants were different but not the stage of development. That means that the difference of length between the two plots could be explained by the developpement bigger plant cells rather then a increase in growth speed. It is interesting to point out the fact, that the stimulation of the synthesis of certain proteins, here extensines, by the corresponding specific sound sequences have phenotypic consequences that can be simply observed. The observations of differences in plant length corresponds and is by this way a confirmation of the predicted growth response of the plants submitted to the specific sound sequences of the extensines. This technique is by this non-invasive in his way of application method and measurement.

This method of scale resonance by submitting organisms to specific sound sequences to stimulate or inhibit the corresponding proteins is very useful as a tool to study the functions of the proteins.

It is also a very interesting technique to develop new ecological applications for agriculture to treat crops against diseases, to stimulate their growth in difficult climate conditions like to stimulate there drought resistance or certain specific properties of the plants like increasing active molecules for medicine applications. Three years ago I saw a beautiful painting of Marc Chagall called "Le souvenir de la flute enchantée" and next to there was a little text of him with "The bible is a resonance of nature". It sounds like music in my ears.

Maybe life on earth began as a resonance of the whole universe surrounding us. Scale resonance seems a hopeful and endless field of research, opening our senses as a new way perceiving the interactions and the developement of the world wherein we live.
References

Sternheimer Joel. 1993. Lecture : Epigenetic regulation of protein biosynthesis by scale resonance. Kanagawa Science Academy and Teikyo Hospital (Tokyo). May 20.

Van Doorne Yannick. 2000. Thesis : Influence of variable sound frequencies on the growth and developpement of plants. Hogeschool Gent. Belgium. 22 June.

Coghlan A. 1994. Good vibrations give plants excitations; New Scientist. 28 May. p10.

Weinberger P. and Graefe U. 1973. The effect of variable sound-frequency sound on plant growth. Canadian Journal of Botany. Vol.51:1851-1856.
Contact

Information and applications (NL/FR/EN/Esp)
ECOSONIC, Yannick Van Doorne,
BP 27, 01400 Chatillon Sur Chalaronne, France
Tel +33 (0) 68 808 68 94
Email: yannick.vd@club-internet.fr
ECOSONIC

Yannick Van Doorne Partner of The Found Foundation

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from http://www.earthpulse.com/src/subcategory.asp?catid=2&subcatid=6

Remember those song birds we used to hear in the fields? The sounds of animals in nature singing a symphony of soft and subtle sounds as all things flow together to create a living and vibrant concerto? Science is now showing that these sounds actually do influence the growth of plants. Researchers have demonstrated that plants respond to sounds in pro-found ways which not only influence their overall health but also increase the speed of growth and the size of the plant.

Many people remember hearing in the late 1960's and 1970's about the idea that plants respond to music. There were lots of projects in high schools and colleges which successfully tested the effects of sound on plant growth. It was determined through repetitive testing that plants did respond to music and sound. The first book which brought this idea to most of us was: The Secret Life of Plants, by Peter Tompkins and Christopher Bird (Harper & Row 1973). In this best selling book a number of astounding revelations about plant growth were revealed. The idea that plants were influenced by sound in both positive and negative ways was demonstrated by several world class scientists at that time.

When we think of plants being affected by sunlight we are really looking at the effect of a portion of the electromagnetic spectrum on plants * that portion which includes visible light. It should not surprise us that sound also impacts plant growth because it is, in essence, an extension to other parts of the electromagnetic spectrum.

The science was first disclosed in an article by Andy Coghlan which appeared in New Scientist (May 28, 1994, p.10). The article confirmed old ideas by placing them in a scientific context. It tells an excellent story about the impact of sound on plant growth, bringing to light what was before considered esoteric or mysterious science. After reading this short article and those which follow in this issue of the Flashpoints a good deal more will be thought of "singing gardeners" and "plant communicators."

Many people remember reading accounts of plant growth being stimulated by sound waves. At that time, "talking" to plants and playing plants different types of music was used to influence growth. A number of people were using these techniques without being able to completely explain the phenomena. This article is part of that story * a story which could have a profound impact on the way we grow and produce our food.

Eccentrics who sing to their plants? People playing melodies to organic matter with the expectation that it will help stimulate growth? These ideas were the thoughts of some "non-scientists" until French physicist and musician, Joel Sternheimer, discovered the mechanism for how plants respond to the stimulation of sound waves. Sternheimer com-poses musical note sequences which help plants grow and has applied for an international patent1 covering the concept.

The sound sequences are not random but are carefully constructed melodies. Each note is chosen to correspond to an amino acid in a protein with the full tune corresponding to the entire protein. What this means is that the sounds sequenced in just the right order results in a tune which is unique and harmonizes with the internal structure of a specific plant type. Each plant type has a different sequence of notes to stimulate its growth. According to New Scientist, "Sternheimer claims that when plants "hear" the appropriate tune, they produce more of that protein. He also writes tunes that inhibit the synthesis of proteins." In other words, desirable plants could be stimulated to grow while undesirable plants (weeds for instance) could be inhibited. This is done with electromagnetic energy, in this case sound waves, pulsed to the right set of frequencies thus effecting the plant at an energetic and submolecular level.

Sternheimer translates into audible vibrations of music the quantum vibrations that occur at the molecular level as a protein is being assembled from its constituent amino acids. By using simple physics he is able to compose music which achieves this correlation. Sternheimer indicated to New Scientist that each musical note which he composes for the plant is a multiple of original frequencies that occur when amino acids join the protein chain. He says that playing the right notes stimulates the plant and increases growth. This idea is particularly interesting because it may lead to the eventual obsolescence of fertilizers used to stimulate plant growth. This new method would be cheap and relatively easily provided throughout the world, thereby avoiding many of the problems associated with the extraction, shipping, environmental and economic costs of chemical fertilizers.

Playing the right tune stimulates the formation of a plant's protein. "The length of a note corresponds to the real time it takes for each amino acid to come after the next," according to Sternheimer, who studied quantum physics and mathematics at Princeton University in New Jersey.

In experiments by Sternheimer, he claims that tomatoes exposed to his melodies grew two-and-a-half times as large as those which were untreated. Some of the treated plants were sweeter in addition to being significantly larger. The musical sequences stimulated three tomato growth promoters, cytochrome C, and thaumatin (a flavoring compound). According to Sternheimer in the New Scientist, "Six molecules were being played to the tomatoes for a total of three minutes a day."

Sternheimer also claims to have stopped the mosaic virus by playing note sequences that inhibited enzymes required by the virus. This virus would have harmed the tomato plants.

The note sequences used by the inventor are very short and need only be played one time. For example, the sequence for for cytochrome C lasts just 29 seconds. According to Sternheimer, "on average, you get four amino acids played per second" in this series.

The inventor also issued a warning for those repeating his experiments. He warns to be careful with the sound sequences because they can affect people. "Don't ask a musician to play them," he says. Sternheimer indicated that one of his musicians had difficulty breathing after playing the tune for cytochrome C.

Plant stimulation by sound may have profound implications. The idea that a cheap source of "electromagnetic fertilizer" has been developed should be exciting for many third world countries. At a time when human progress can be made through simple solutions in agriculture, resources are being wasted in the extraction of mineral and oil compounds for fertilizers. If this method of fertilization were followed the human intellect would prove superior to physical capital in terms of distribution and production of this new technology.

The idea that sound can have a healing effect on humans is being explored by a number of independent scientists around the world. The know-ledge of the "sound effect on proteins" offers insights to health practitioners of the benefits to humans. In addition to the favorable economic factors, the increased vitality of the plant substances can positively impact the health of all humans that consume them.

The patent includes melodies for cytochrome oxidase and cytochrome C which are two proteins involved in respiration. It also includes sound sequences for troponin C which regulates calcium uptake in muscles. Further, a tune was developed for inhibiting chalcone synthase which is an enzyme involved in making plant pigments.

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from http://www.bekkoame.ne.jp/~dr.fuk/MusTomE.html

Two years ago in summer, an interesting experiment was planned in a region affected by drought in Senegal in Africa.

The aim of the experiment was to draw full potential of tomatoes with the help of music in the course of cultivation. For this purpose, a conventional radio-cassette recorder and a tape on which is recorded a melody were used. These were all the preparations.

We often hear that music is effective in promoting the growth of plants. However, no one has been able to give convincing explanations of such phenomena. It is therefore natural that most of the reactions of those who engaged in the experiment were negative: "It's joking" or "Incredible".

For comparison, two sections were prepared for cultivating tomatoes: a section with music (referred to as "music section") and a section for control without music (referred to as "control section"). Taking into consideration the results obtained in the preceding experiences, the quantity of water given to each section was different: twice a day for the control section according to the standard of the region; once a day for the music section but with music for three minutes every day.

No less than two weeks, the difference of growth became remarkable between the plants of tomato of the two sections. The difference of heights became larger and larger thereafter. When the time of crop came, the difference in number, size and appearance of fruits was apparent between the two sections. The harvest of musical tomatoes became, as a whole, twenty times more than that of the control section. Furthermore, what is to be noted is that although insects gave damages to fruits in the control section, tomatoes in the music section were left intact.

Facts are more convincing than theories. Seeing is believing.

The difference was so apparent that farmers who have observed the experiment from the beginning have completely changed their mind in the course of the experiment and even said at the end: "We have expected such good results from the beginning".

What "magic" was used to produce such remarkable effects?

The key to understand the magic consists, of course, in the melody recorded on the tape.

The melody was offered by Dr. Joel Sternheimer, a physicist in France. He has elucidated the secret or a secret, at least, of the effects of music on living creatures through the research of quantum physics and molecular biology.

According to him, the principle is as follows:

Animals and plants synthesize a number of proteins in their body. In the process of synthesis, each protein being formed emits a series of quantum-mechanical signals which are related with the amino acids sequence. By decoding the signals and transforming them into audible sounds, melodies proper to each protein are obtained, which are called, as a whole, "Protein Music". If the Protein Music is in turn played near animals or plants, the synthesis of corresponding protein is controlled through a kind of resonance phenomena. This is the essential difference of the Protein Music from that composed by human beings.

The melody used in the experiment of tomatoes in Senegal was that of TAS14.

In general, plants begin to produce a special protein when sufficient water is not available so that they can be resistive to scare water. The mechanism might be obtained in the course of evolution to survive even under severe circumstances. One of the proteins which increase resistance to water deficiency is the TAS14 of tomatoes.

By playing the melody of TAS14 near the plants of tomato, the synthesis of the protein was promoted and water resistance became increased, which has lead to good growth of plants and fruits of tomato.

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from http://www.bekkoame.ne.jp/~dr.fuk/Series2E.html

Sunflower sings: "Oh, my sun!"

- "'O Sole Mio" was born from photosynthesis -

A flower which represents summer is the sunflower. It is called Himawari in Japanese which means turning with the movement of the sun. The same is true for the corresponding French word and the sunflower is called tournesol. However, according to botanists, the sunflower does not always face to the sun although it moves with time.

A well known function of plants including the sunflower is photosynthesis: carbon dioxide as a raw material is transformed by the optical energy from the sun into organic compounds, which are used to make grow and maintain plants, and oxygen necessary for respiration.

Respiration using oxygen produced by plants through photosynthesis is inevitable for almost all living creatures. Deeply concerned with respiration is an organ called mitochondria. In this organ, energy is stocked as ATP through respiration. Whenever necessary, ATP can be decomposed to produce energy, which is used, for example, in animals for such activities as control of body temperature and contraction of muscles. In this way, ATP is used to stock energy or consumed to produce energy used for a variety of activities in living creatures, and therefore can be regarded as a sort of energy "currency".


Filling energy with "'O Sole Mio"

Mitochondria is of course included in the cells of sunflowers. The protein which plays an important role in producing ATP is atp6. Dr. Sternheimer, who has discovered the music of proteins, says: "The melody promoting the synthesis of a protein called atp6 contained in mitochondria of sunflowers reproduces the passage corresponding to the very words of "'o sole mio" of the song "'O Sole Mio"". How interesting if we imagine the scene that sunflowers stock enthusiastically energy in their cells as ATP while singing "Oh my sun!" to the brilliant sun of the summer!

"'O Sole Mio" is, as you know, a napoletana or a popular song of Naples. It is said that the song was composed in 1898 by Eduardo di Capua when he was staying in Odessa in Ukraine with his father. Returning to Naples, he participated in the music festival of Madonna di Piedigrotta held in September with the song. This was the first occasion that "'O Sole Mio" was sung in front of the general public.

"'O Sole Mio" could get only the second prize at the festival, but the song became known all over the world owing to the world famous tenor Enrico Caruso who sang the song as his repertoire. Well known songs such as "Torna a Surrento" or Return to Sorrento were also first sang in this festival.


Sunflowers helped to produce the hit song?

Odessa in Ukraine where di Capua stayed faces to the Black Sea and is characterized by a mild weather with sunlight all year. Odessa is also a city situated in a rich granary. A main farm product is, to our surprise, sunflowers. To eat grains or to obtain sunflower oil, Russians cultivate sunflowers on a large scale: Ukraine is one of the most famous sunflower-growing district in the world.

In the suburbs of the city, endless sunflower field comes into sight. Di Capua also should have seen the sunflower field. I would like to dare to imagine that the melody corresponding to the words of "'o sole mio" might come across his mind inspired by the voiceless talk of the sunflowers to him.

Di Capua composed many hit songs such as "'Oh Sole Mio" while earning his living by playing in small theaters, cafes and cinemas in and around Naples. However, he could not benefit from the hit songs because he did not know the world.

One day he said to his wife that he would die if he had to dispose of his piano. Just as his words, when he sold his piano because of the necessity to make money, he fell ill and died in extreme poverty in a hospital. What irony it is that he composed in "'O Sole Mio" a melody which promotes the production of ATP or the "currency" in living creatures, while he could not even afford the money to lead the simplest living in the real world!

[Green Supreme]

Myth Busters on tv did a test with plants and music. Can't really remember how it went though. Peace GS

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translated from french:
http://64.233.179.104/translate_c?hl=en&u=http://www.bekkoame.ne.jp/~dr.fuk/MusiquePlantesNC.html&prev=/search%3Fq%3DPROTEODIES%2B%26hl%3Den%26client%3Dfi refox-a%26rls%3Dorg.mozilla:en-US:official%26sa%3DG

[nuggdigger]

Here it is GS, can't figure out how to make it into a nice pic link like those youtube videos:exhale: maybe you could edit/teach me?;)

http://video.google.com/url?docid=-6609068041106073533&esrc=sr1&ev=v&q=label:%22mythbusters%22&vidurl=http://video.google.com/videoplay%3Fdocid%3D-6609068041106073533%26q%3Dlabel%253A%2522mythbuste rs%2522&usg=AL29H22j0tayKB4emjCxhhcI5bvwW7X68w

peace:kind:

[The Cannarchist]

South Indian Raga's is what they like....Bring on Ravi Shankar!

[trichome pharm]

Not to sure about that experience there.....:laughing:

[The Cannarchist]

"The Secret Life of Plants"...........They did a full batch of tests

Heavy rock made the plants move away from the sound of the music,whilst Ravi Shankar had the plantys doing the boogaloo

Something like that!

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they like elf music